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The Myth form is thousands of years old. And it has a very episodic structure, so it can grow tiresome and decline in power through the middle of the story. Top professional screenwriters know this, which is why they always add 1 or 2 other genres to modernize the Myth form and overcome its episodic quality. Screenwriters who are smart enough to study Hollywood as a business know that it's all about combining genres.

Where they sometimes go wrong is in execution. It's one thing to say, "Take 2 or 3 story forms and put them together into a seamless whole.

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Combining genres is more difficult than it looks, because of what it does to the story structure under the surface. Each genre has a predetermined hero, opponent, desire line, thematic focus, and so on. Which is why most writers combining genres end up with a structural mess. They have too many heroes, desire lines, opponents, themes and story beats. Any one of these structural mistakes will kill a script, so imagine what happens if you make them all. When mixing genres, the key is to make one form the primary one. This will give you your hero, a single desire line, a single story line and the most important unique story beats.

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Then put in other genre elements where they fit, so they amplify the primary form. One of the best ways to break in and separate yourself from the thousands of other screenwriters in the world is to write and make your own film. Of course, that requires keeping costs to a bare minimum. And the cheapest genres to shoot are Horror, Thriller and Love.

These genres require the fewest actors, sets and special effects. Of these, horror is the most popular worldwide. But the most important determinants of which genres you use for your indie film are which genres are best for your story idea and which genres you are best at writing.

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Writers of blockbuster movies always know their genres so well that they hit every one of the story beats unique to their form. In genre writing, this is known as "paying the dues. Remember, they are there to see the story forms they love, so you have to know your genres better than anyone else and give the audience what they crave. And that means knowing how your genres work under the surface, in the structure, where the real story work is done. It may surprise you that the biggest reason a reader turns down a script is because it's "derivative.

Readers have read scripts from every genre hundreds of times. So you can't stand out from the crowd just by "paying the dues. That's why professional screenwriters not only hit all the genre beats, they do the beats in an original way. This is known as transcending the genre. And you simply cannot succeed if you fail to transcend the genres you're working in. Unfortunately, there are no simple rules for how to do this for all genres.

Transcending genre is different for each form. In the 1-day class I teach in each genre, I spend a great deal of time on exactly how to do this. Transcending depends on the story beats that are unique to your form.

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Looking at my sales numbers, my followers are not following me for the purpose of buying my next book, and that's totally okay. They're probably there for my brownie recipes and badscarystories. But the point is that whatever a publisher sees when checking my Klout score doesn't necessarily translate into book sales. Whatever form of alchemy causes a person to click BUY IT NOW runs deeper than simply hearing the message every two hours as if the author is an insane cuckoo clock.

Back in , Facebook was beautiful in its simplicity. I would have better luck randomly mailing postcards to strangers. No matter what I say or how beautifully I say it, my message doesn't reach the people who have asked to hear it. I got on Instagram hoping to reach people who prefer beautiful images. As an artist, I love setting up shots, tweaking the exposure, and using filters.

But let's be honest. Seeing a beautiful photo of my book sitting on my orange sweater beside a Pop-Tart isn't going to make you go buy that book. Even if you judge a book by its cover, Instagram isn't how people shop for great reads. I tumbl. I love tumbling. But at 37, I'm practically a corpse over there. I'm not so much part of a vibrant, changing, sharing community as I'm on the sidelines, occasionally curating and adding value but never wanting to be pushy or intrude on the young adult readers I hope to one day call fans. I don't need to be following or addressing teens, but I do want to be around if they're looking for me.

In a non-creepy way. That mostly involves retumbling my Instagram pics.

Reading bad reviews makes me feel horrible, and reading good reviews makes me feel creepy and embarrassed. I'm too shy to reach out and ask someone to read or review my book, and approaching book bloggers online out of nowhere feels awkward. Nothing makes me as happy as learning that someone liked one of my books, but I can't go looking for that information. I turned off my Google Alerts forever after a Goodreads review made me uglycry.

I get so many of these invites from strangers and promoters and people who met me once at a con and now want me to retweet them every hour, and I can't. Y'all, I just can't. I can't go to your book launch party in California. I don't want to do anything "virtual" that involves ending every post with a hashtag. I have never signed up for a newsletter, so why do I get so many of them?

And when I unsubscribe, why do they keep on showing up? Do not even get me started on people who add me to Facebook groups without asking.

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I will see you in hell. When I chat with someone on Twitter, and they make me laugh and add value to my life, I start to think that their book might add value, too. The New York Times. Time magazine. DIY culture is, by its nature, an ethic in opposition to society's rules at large. It flourishes in environments of communitarian support, collaboration, and even informal barter economies.

The Independent. Retrieved 17 August Is this censorship, an overreaction, or just good sense? The Huffington Post. Retrieved 22 July They used to call it the "vanity press," and the phrase itself spoke volumes…. Paying to get published, though, breaks Yog's Law, which states, "Money should flow toward the author.

Investing in a project shows that you believe in it Five years ago, printing your own book was stigmatized and was seen as a mark of failure Washington Post.

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  3. Shadowing Shahna (Mills & Boon Intrigue).
  5. There are too many of you Retrieved 28 January Retrieved 31 October Publishers Weekly. The Oregonian.

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    USA Today. Bauer 12 October Lewiston Tribune. Los Angeles Times. The man who allegedly posted a photo of his dead wife … Medina … charged with murder … his slew of self-help books is all the more disturbing This page book of selfies might be her masterpiece". Slate magazine.